L'Orange & Mr. Lif - A Palace In The Sky

L’Orange & Mr. Lif – A Palace In The Sky


L’Orange & Mr. Lif

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[Adult Swim] & Mello Music present L’Orange & Mr. Lif‘s new single for their upcoming collaborative project, The Life & Death of Scenery. The new single, A Palace In The Sky, is the climactic conclusion to the narrative, a world destroyed and rebuilt. The finality of the narrative sees a man’s kingdom fall, his hubris finally realized in a deafening end. Mr. Lif’s wordplay makes the images vivid as L’Orange’s polyrhythmic style make the song bounce.

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Possibly two of the most conceptual artists working today have created a world where art has been banned, outlawed, and the consequence of going against that is death. Mr. Lif takes on the role of ‘the scribe,’ attempting to emancipate a society from it’s post-apocalyptic constraints. The album features artists like DJ QBert, Gonjasufi, Akrobatik, Insight and Chester Watson. Wyatt Cenac (Daily Show, Bojack Horseman) also guests as the narrator.

About The Album
The Life & Death of Scenery

The latest EP from L’Orange & Mr. Lif, The Life and Death of Scenery, conceives a chimerical “lighthearted dystopia” just far enough from modernity to breathe easily, but close enough to make you consider relocating to that cave in the forest. In this collaboration with the eccentric North Carolina producer, L’Orange, Lif imagines an adjacent future called the “last society,” where culture has been obliterated and survival has taken precedence over art.

Released through a partnership between Adult Swim and Mello Music Group, the duo’s latest opus opens with one of four addresses from “The Narrator” (played by The Daily Show’s Wyatt Cenac). These Big Brother missives capture a world where the, “books are all burned, the vinyl has been melted, and the remaining art catapulted over the city walls.” The mere act of whistling is cause for the guillotine. It’s the rap analogue to Fahrenheit 451, 1984, or a Brave New World, where the Soma is uncomfortably soothing and the sunshine eerily abundant.

The former Def Jux legend inhabits on the role of The Scribe, frantically showing the post-apocalyptic survivors the power of what’s been lost. It attacks those who value disposable art over the timeless; it articulates the necessity of preserving culture; it lampoons the absurdity of attempting to destroy one of the most immutable qualities in mankind.

In L’Orange’s words, the collaboration is “a negotiation of influences without compromise.” You can hear the producer’s trademark alchemy of classic boom-rap with glitchy fuzz, a compressed whimsy that slaps against somber scythe-like piano lines, ominous spaghetti western licks, and celestial saxophone licks.

L’Orange & Mr. Lif


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